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Out of the blue, David impersonates the aggressive personality of Adam Saber. Cara is intrigued with the mystery and visits David's mother Mrs. Bernburg (Frances Conroy), who tells her that David had passed away a long time ago. Cara invites Mrs. Bernburg to visit Sam in the hospital and they are surprised with the knowledge of the patient about David's private life. When Sam shifts his personality to Wesley, Cara decides to go further in her investigation and sooner she learns that each personality is actually a dead person.. Cats : Julianne Moore .. Cara Harding. Jonathan Rhys Meyers .. David / Adam / Wesley. Jeffrey De. Munn .. Dr. Harding. Frances Conroy .. Mrs. Bernburg. Nathan Corddry .. Stephen Harding. Brooklynn Proulx .. Sammy. Brian Anthony Wilson .. Virgil (as Brian A. Wilson)Joyce Feurring .. Granny Holler Witch. Steven Rishard .. Detective Danton. Charles Techman .. Monty Hughes. John Peakes .. Dr. Charles Foster. Michael Graves .. Holler Man. Chaz Moneypenny .. Adam Sabre. Charles David Richards .. Holiday Inn Bar Keep (as Charles D. Richards)Rick Applegate .. Warden Collins Data Technical : Audio...: Lector Polish. Subtitles.: None. Xvi. D, FFODVIX, 2. FFAC3, 4. 48 kb/s. Bodyguards & Assassins est un film réalisé par Teddy Chen Culver avec Donnie Yen, Xueqi Wang. Synopsis : En 1905, le révolutionnaire Sun Wen se prépare à aller. Watch Bodyguards and Assassins (2009) Online Free Full Movie Putlocker. In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members. The latest critic and user reviews, photos and cast info for Bodyguards and Assassins (Shi yue wei cheng). Bodyguards and assassins 2009 ترجمة فيلم القتال التاريخي الصيني حماة و قتلة - Duration: 1:01. EBK Subtitles 1,832. Bodyguards and Assassins - Wikipedia, the free encyclopedia. Bodyguards and Assassins is a 2. Hong Kong historical action film directed by Teddy Chan, featuring an all- star cast, including Donnie Yen, Wang Xueqi, Tony Leung Ka- fai, Nicholas Tse, Hu Jun, Eric Tsang, Simon Yam, Fan Bingbing, Zhou Yun and Leon Lai. In 1. 90. 5, Sun Wen intends to go abroad to Hong Kong, then a British colony, to discuss his plans with fellow Tongmenghui members to overthrow the corrupt and crumbling Qing dynasty in China. Empress Dowager Cixi sends a group of assassins, led by Yan Xiaoguo, to kill Sun. Revolutionary Chen Shaobai arrives in Hong Kong a few days before Sun's arrival, to meet Li Yutang, a businessman who provides financial aid for the revolutionaries. As Sun Wen's arrival day draws near, trouble begins brewing in Hong Kong as Chen Shaobai's acquaintances are murdered and Chen himself is kidnapped by the assassins during a raid. Li Yutang decides to officially declare his support for the revolutionaries after the newspaper agency is closed by the British authorities, who do not interfere in China's political situation. Li rallies a group of men, including rickshaw pullers, hawkers and a beggar, to serve as bodyguards for Sun Wen when he arrives. Li's son, Chongguang, is chosen to act as a decoy for Sun Wen to divert the assassins away while Sun attends the meeting and leaves Hong Kong safely. Most of the characters are fictional; however, some, including Sun Wen, Chen Shaobai and Yeung Ku- wan, are based on real historical figures. Main cast[edit]Donnie Yen as Shen Chongyang (жІ€й‡Ќй™Ѕ), a policeman addicted to gambling. He is eager to do anything for money but decides to join the bodyguards after Yueru persuades him to do so. He engages Yan Xiaoguo's henchman in a vicious fight and defeats his opponent eventually but is gravely wounded. He sacrifices himself to disable Yan's horse. Zhang Hanyu as Sun Wen (е«ж–‡), leader of the revolutionaries. He arrives in Hong Kong for a secret meeting with fellow Tongmenghui members to discuss their plans for revolution. Tony Leung Ka- fai as Chen Shaobai (й™іе°‘з™Ѕ), the chief editor of China Daily in Hong Kong. He is kidnapped by the assassins during a raid but manages to escape and rejoin his comrades. He pulls the rickshaw for the decoy Sun Wen in the final scene after Si dies. Wang Xueqi as Li Yutang (жќЋзЋ‰е ‚), a businessman and old friend of Chen Shaobai. He initially provides only financial support for the revolutionaries but decides to openly declare his support after being strongly influenced by them. He rallies a group of bodyguards to protect Sun Wen. Fan Bingbing as Yueru (жњ€иЊ№), Li Yutang's fourth wife and Shen Chongyang's ex- wife. She has a daughter with Shen, and the child was raised as Li's. Wang Po- chieh as Li Chongguang (жќЋй‡Ќе…‰), Li Yutang's 1. He goes against his father's will to show his fervent support for the revolution. He sacrifices himself to protect Sun Wen by acting as a decoy to divert the assassins. Leon Lai as Liu Yubai (еЉ‰йѓЃз™Ѕ), a beggar who comes from a rich family. He is highly skilled in martial arts and fights with an iron fan. Bodyguards and Assassins is a 2009 Hong Kong historical action film directed by Teddy Chan, featuring an all-star cast, including Donnie Yen, Wang Xueqi. It took me a while to find this trailer in a downloadable form. Donnie Yen's new upcoming movie, also check out Founding of a Republic. And his other great. (left) Tony Leung Ka-Fai and Wang Xueqi, and (right) Leon Lai in Bodyguards and Assassins. In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members to overthrow the Qing dynasty. But when they find out that assassins. He is killed by Yan Xiaoguo while holding off the assassins alone at the residence of Sun Wen's mother. Nicholas Tse as Deng Sidi / "Si" (鄧四弟 / йїе››), a rickshaw puller who serves the Li family faithfully. He pulls the rickshaw carrying the decoy Sun Wen and brings his friends along to help. He sacrifices himself to buy time for the decoy to escape. Simon Yam as Fang Tian (方天), a former general living in exile in Hong Kong. He and his men disguise themselves as an opera troupe. He is killed when the assassins raid the theatre. Li Yuchun as Fang Hong (ж–№зґ…), Fang Tian's daughter. She knows martial arts and decides to join the bodyguards after her father is murdered. She is killed while preventing the assassins from using explosives to destroy the convoy. Mengke Bateer as Wang Fuming (зЋ‹еѕ©жЋ), an outcast monk from the Southern Shaolin Monastery who became a stinky tofu vendor. He seeks redemption in order to return to his former monastery. He has a gigantic build and possesses immense strength. He is apparently killed after being stabbed numerous times by the assassins but reappears one last time to destroy a structure to block the assassins' path. Eric Tsang as Smith (史密夫), the police chief. He is initially unwilling to help the bodyguards due to orders from his British superiors but later eventually leads his men to protect the convoy, from assassin marksmen, for part of their journey. Hu Jun as Yan Xiaoguo (й–»еќењ‹), the assassin leader who was formerly a student of Chen Shaobai. He is fiercely loyal to the Qing government, and fears the chaos that would ensue following a revolution. He manages to kill the decoy Sun Wen before being fatally shot by Chen. Zhou Yun as Chun (йїзґ”), Si's fianc. Г©e. LГј Zhong as Madame Yang (楊氏), Sun Wen's mother. Jacky Cheung (special appearance) as Yeung Ku- wan (楊衢雲), a pro- democracy English teacher and President of the revolutionary Furen Literary Society. His death in the film's prologue marks the first political assassination in Hong Kong. Michelle Reis (special appearance) as Liu Yubai's lover. John Shum as Zhang Dayou (張大友), a photographer. He is Chun's father. Cung Le as Sa Zhenchan (и–©йЋ®е±±), a Qing assassin who was later killed by Shen Chongyang in a fight. Philip Ng as Bai Que (з™Ѕзјє), a Qing assassin. Xing Yu as Hei Man (й»‘ж»ї), a Qing assassin. Dennis To as Nie Zhongqing (иЃ¶еї жё…), a Qing assassin.[3][4]Accolades[edit]List of accolades. Ceremony. Category. Recipient. Outcome. Asian Film Awards. Best Film. Bodyguards and Assassins. Nominated. Best Actor. Wang Xueqi. Won. Best Supporting Actor. Nicholas Tse. Won. Best Newcomer. Li Yuchun. Nominated. Best Production Designer. Kenneth Mak. Nominated. Best Costume Designer. Dora Ng. Nominated. Hong Kong Film Awards. Best Film. Bodyguards and Assassins. Won. Best Director. Teddy Chan. Won. Best Screenplay. Guo Junli, Qin Tiannan,Joyce Chan, Chan Tung- man. Nominated. Best Actor. Wang Xueqi. Nominated. Best Supporting Actor. Tony Leung Ka- fai. Nominated. Nicholas Tse. Won. Best Supporting Actress. Li Yuchun. Nominated. Fan Bingbing. Nominated. Best New Performer. Li Yuchun. Nominated. Best Cinematography. Arthur Wong. Won. Best Film Editing. Derek Hui, Wong Hoi. Nominated. Best Art Direction. Kenneth Mak. Won. Best Costume Make Up Design. Dora Ng. Won. Best Action Choreography. Stephen Tung, Lee Tat- chiu. Won. Best Sound Design. Kinson Tsang, George Lee. Nominated. Best Visual Effects. Ng Yuen- fai, Chas Chau,Joe Tam, Yung Kwok- yin. Nominated. Best Original Film Score. Chan Kwong- wing, Peter Kam. Won. Best Original Film Song. Song: Powder (зІ‰жњ«). Composer: Chan Kwong- wing. Lyricist: Chris Shum. Singer: Li Yuchun. Nominated. 16th Hong Kong Film Critics Society Awards. Film of Merit. Bodyguard and Assassins. Won. Best Actor. Wang Xueqi. Won. 47th Golden Horse Awards. Best Feature Film. Bodyguards and Assassins. Nominated. Best Director. Teddy Chan. Nominated. Best Actor. Wang Xueqi. Nominated. Best Supporting Actor. Nicholas Tse. Nominated. Best Cinematography. Arthur Wong. Nominated. Best Visual Effects. Ng Yuen- fai, Chas Chau,Joe Tam, Yung Kwok- yin. Nominated. Best Costume Make Up Design. Dora Ng. Won. Best Action Choreography. Stephen Tung, Lee Tat- chiu. Nominated. Best Film Editing. Hui Wan- yu, Wong Hoi. Nominated. See also[edit]References[edit]External links[edit]. Bodyguards and Assassins (2. IMDb. Excellent film! I had the pleasure (but discomfort) of watching this on the plane from Taipei to Bangkok and have never been so engrossed in an in- flight movie. It was heartbreaking and exciting and, although perhaps slightly out of place, the action sequences were excellent. The acting was great and this may well be my favorite film so far this year. I am unaware as to how accurate the story is but I would bet it is much closer to reality than most "Based on a True Story"- type films. Another reviewer said they were expecting a Hong Kong "Gangs of New York" and I think it does fall somewhere near this but I would rewatch this film 1. Gangs" again.. this is mostly due to Cameron Diaz's atrocious performance. I hope this film receives a subtitled release on DVD as I will definitely want to add it to my collection. Blog. Directed by Krzysztof Kieslowski. With Juliette Binoche, Benoît Régent, Florence Pernel, Charlotte Véry. The first part of Kieslowski's trilogy on France's. Three Colors Trilogy Red. Critics Consensus: Taking a lighter tone than the other films of the Three Colors trilogy, White is a witty, bittersweet comedy with heavier themes on its mind than. The Call Final Ita Dvdrip. Solutions : Customer Support: Home. Sylver - Best Of (The Hit Collection 2001-2007) [2007] - Trance. What A Wonderful Surprise. Magnum.P.I.-.2x09.-.Uno.strano.rapimento.-.DDS.-.DvdRipAc3.avi. Almost 90% of all homeowners would do business with their real estate agent again. 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Three Colors' trilogy, Krzysztof Kieslowski announced that he would retire. This was not a man weary of work. After completing 1. Red, the third and final installment of his celebrated Three Colors trilogy, director Krzysztof Kieslowski announced an early retirement at 5. The Three Colors trilogy is the collective title of three films directed by Krzysztof Kieślowski, two made in French and one primarily in Polish: Three Colors: Blue. After he completed "Red" (1. Three Colors" trilogy, Krzysztof Kieslowski announced that he would retire. This was not a man weary of work. It was the retirement of a magician, a Prospero who was now content to lay aside his art- -"to read and smoke." When he died two years later, he was only 5. Because he made most of his early work in Poland during the Cold War, and because his masterpiece "The Decalogue" consists of 1. Bergman, Ozu, Fellini, Keaton and Bunuel. He is one of the filmmakers I would turn to for consolation if I learned I was dying, or to laugh with on finding I would live after all. He often deals with illness, loss and death, but deep pools of humor float beneath the surfaces of his films. There is a sequence in "White" (1. Polish hairdresser, is so desperately homesick in Paris that he arranges to be sent back to Warsaw, curled up inside a suitcase. His friend at the other end watches the airport conveyor belt with horror: The bag is not there, it has been stolen by thieves who break the lock, find only the little man, beat him savagely and throw him on a rubbish heap. Staggering to his feet, he looks around, bloody but triumphant, and cries out, "Home at last !" In "Blue" (1. Juliette Binoche plays a young woman whose husband and child are killed in a car crash. After a period of emotional paralysis, she telephones an old friend who has always been in love with her, and tells him his chance has come around at last. They have sex. She wants to see if it will help. It does not. She moves to an obscure street in an anonymous corner of Paris, determined to see no one she knows and make no new friends. But as chance would have it, she does meet someone: She meets her husband's mistress. Red" (1. 99. 4), the best film among equals, stars Irene Jacob as Valentine, a woman in Geneva whose car strikes a beautiful golden retriever. She nurses the dog back to health and returns it to its owner, a retired judge (Jean- Louis Trintignant), who tells her she can keep it. He is beyond worrying about dogs. He occupies his days intercepting the telephone calls of his neighbors, and he watches them through his windows almost like God- -actually, just like God- -curious, since they have free will, what they will do next. After a lifetime of passing verdicts, he wants to be a detached observer. As a young man this judge was was once in love, lost that love, and has lived on hold ever since. He all but caresses his emotional wounds. Although at first he rudely turns Valentine away, slowly he begins to tell her his story. There is a moment in "Red" where Valentine leans forward to listen with such attention and sympathy that she seems at prayer. Only gradually do we learn that the story of the judge and his lost love reveals parallels with the story of Valentine and her lover who is always absent, and with the life of a young law student who lives across from her apartment in the city- -a student she has never met. On another timeline, in a parallel universe, the judge and Valentine might have themselves fallen in love. They missed being the same age by only 4. Now that Hubble has seen back to the dawn of time, that doesn't seem a great many years. There is a passage in one of Loren Eiseley's books where he climbs down a crevice in the desert and finds himself looking at the skull of one of man's early descendants, who gazes back at him over countless centuries. He reflects that from a cosmological perspective, they lived at almost the same instant. The Decalogue" and the trilogy were written in collaboration with Krzysztof Piesiewicz, a lawyer Kieslowski met during the Solidarity trials. He didn't know how to write," the director remembered, "but he could talk." Shut up in a smoke- filled room, they talked through the films together. Although he always wrote with Piesiewicz, curiously Kieslowski usually used a different cinematographer for every film; he didn't want them to look as if they matched. One imagines Piesiewicz as the advocate for contrarian views, since the films so consistently resist delivering in the expected way. In the trilogy, "Blue" is the anti- tragedy, "White" is the anti- comedy, and "Red" is the anti- romance. All three films hook us with immediate narrative interest. They are metaphysical through example, not theory: Kieslowski tells the parable but doesn't preach the lesson. It's the same with his "Decalogue," where each film is based on one of the Ten Commandments, but it is not always possible to say which commandment, or precisely what the film is saying about it. I know this because I taught "The Decalogue" in a film class, where we discovered that the order of the commandments differs slightly in the Jewish, Catholic and Protestant versions. And in the Kieslowski version," a student sighed. In the same elusive way, using symbolism that only seems to be helpful, "Blue," "White" and "Red" stand for the three colors of the French tricolor, representing liberty, equality and fraternity. Juliette Binoche, in "Blue," has the liberty, after her loss of husband and child, to start life again, or not at all. Zbigniew Zamachowski, in "White," is dropped by his beautiful wife (Julie Delpy) after he goes to a great deal of trouble to move her to Paris. Back home in Poland, he wants to make millions so that he can be her equal, and have his revenge. Valentine and the old judge in "Red" have a fraternity of souls that springs across barriers of time and gender because they both have the imagination to appreciate what could have been. There is also, lurking unsaid, the possibility that this Prospero, so intent on studying the lives of his neighbors without involving himself, might be the catalyst for one final act of magic involving Valentine and that young man who lives across from her. That young man who might have been him, or, this being Kieslowski, might actually be him, his timelines overlapping slightly and specific details of course altered by circumstances. The Columbia University professor and film critic Annette Insdorf, who knew Kieslowski well and often translated for him, says, "It's rare that you say about some film director, 'What a good man.' But he was. Very by- the- way, emotional, very non- sentimental, dry in his wit and in his bearing, but he really made an impression." Her book, Double Lives, Second Chances: The Cinema of Krzysztof Kieslowski, provides the key to his work in its title. Kieslowski almost never made a film about characters who lacked choices. Indeed, his films were usually about their choices, how they arrived at them, and the close connections they made or missed. Most films make the unspoken assumption that their characters are defined by and limited to their plots. But lives are not about stories. Stories are about lives. That is the difference between films for children and films for adults. Kieslowski celebrates intersecting timelines and lifelines, choices made and unmade. All his films ask why, since God gave us free will, movie directors go to such trouble to take it away. There is a moment in "The Double Life of Veronique" (1. How could that be? A moment's rent in the fabric of time? A flash from a parallel universe? Kieslowski would never have dreamed of saying and probably didn't know. Kieslowski truly loved his characters and invites us into a poignant awareness of both our limitations and our capacity for transcendence," Insdorf says, and you can feel that in the tenderness of every frame. The old judge in "Red" is harsh and dismissive, but with the sense that it hurts him, not entertains him, to treat Valentine so harshly. We see him like so many of Kieslowski's characters, swimming upward through a suffocating life toward the possibility that hope still floats somewhere above. I connect strongly with Kieslowski because I sometimes seek a whiff of transcendence by revisiting places from earlier years. I am thinking now of a cafe in Venice, a low cliff overlooking the sea near Donegal, a bookstore in Cape Town and Sir John Soane's breakfast room in London. I am drawn to them in the spirit of pilgrimage. No one else can see the shadows of my former and future visits there, or know how they are the touchstones of my mortality, but if some day as I approach the cafe, I see myself just getting up to leave, I will not be surprised to have missed myself by so little. Kieslowski would have understood. A link between all three films in the trilogy is provided by a brief shot of an old lady trying to deposit a bottle in a street trash- recycling bin. The slot is a little too high for her to reach. In "Red," Valentine tries to help her. The first two movies are set in Paris. What is the old lady doing in Geneva? Exactly.','url': 'http: //www. After he completed \'Red\' (1. Three Colors\' trilogy, Krzysztof Kieslowski announced that he would retire. This was not a man weary of work. It was the retirement of a magician, a Prospero who was now content to lay aside his art- -\'to read and smoke.\' When he died two years later, he was only 5. 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